Practice Makes Progress

 

I’ve been taking a drawing class at the museum for several weeks. On the first day, our instructor asked us to draw a self-portrait. I started with the obvious—trying to capture the shape of my head, the size and slant of my eyes, the fullness of my lips, adding in cheekbones and topping the image off with hair, or enough swirls and poufs to make it look like hair.

The finished drawing looked nothing like me. Maybe there were a few aspects that resembled what I had seen in the mirror, but my drawing could have just as easily been a picture of someone else.

The takeaway for the day was to learn how to look and then sketch what I saw, rather than what I thought should be there. Next, I had to copy and draw a photo that was placed upside down, which forced me to look at lines, edges, and shapes to complete the picture. Instead of thinking, well, this is the arm, I know what an arm looks like, so I’ll draw an arm, I drew from sight, not expectation.

Guess what happened? My upside-down drawing was far more accurate than I thought it would be, because I made myself focus on what I noticed as I went along, rather than what I know.

Learning how to draw has been rewarding because the initial progress has been swift, hastened by learning some basic rules. My pictures look considerably more accurate than they would have weeks ago. There are basic principles and with practice I am learning how to employ them, observing shapes and shadows, how to measure and adjusting on the page.

I see parallels between my writing and my new drawing practice. When I write an essay, I often start out with an idea, not fully formed, just a sense of what I want to write about. As I keep going, noticing small details, or where my interest picks up, I make decisions about incorporating them into the work.

My drawing instructor recently said, “You have to bound your composition, you cannot fill everything in.” I decide which elements serve the final drawing, much as choosing the right words serves an essay or story. Drawing has taught me to look more closely at the world around me, and reinforces the truth that practice is essential to improvement. My goal is not to hang my work in a gallery or museum, although I share each week’s work as eagerly as a first-grader, excited that my hands and mind have tried to work in concert to create something. Like my writing, the process is as importance as the outcome, and the process and the practice are the two components I can control. The more I draw, the more I want to write, because they complement each other.

Writing will always come before drawing for me, but I’ll keep up with my sketches, if only because they are fun to make and use a different part of my brain. Practice does not have to make perfect, making progress is reason enough to keep on.

 

Walking Away Money

 

Several years ago, I left a job that I mostly enjoyed, planning to take a one-year sabbatical to sort out what my next move would be. I was a development officer, also known as a fundraiser, for a large midwestern university with national name recognition. I believed in the programs for which I fundraised, the visual and performing arts, scholarships, endowments, and I met amazing benefactors, many of whom I still maintain friendships with. But I knew I needed a change, wanted to explore some of the stories that I carried in my head and heart. I had been able to spend time with highly creative people—artists, musicians, sculptors, actors, and writers, while in that position. When we had time, I asked about their processes, how they studied, when they found the time to practice and create. Continue reading

We are All Artists

img_0365

It took a while before I felt comfortable calling myself a writer. Saying that you are a writer elicits so many questions. Some are easier to answer, such as, “What do you write?” or “Are you working on a novel?” When I respond to the first question, I explain my love for the essay form and that my favorite genre is creative nonfiction. That term sometimes requires explanation—isn’t all writing creative?— but then I add that I use the tools of the novelist while telling a true story. This seems to help them understand, and I can point them to examples, essays, books, or magazine pieces that fall under this genre.

The second question is a bit trickier, because many people immediately think of novels when you say that you are a writer. I savor novels too, with their characters and plots, evocative descriptions, and scenes. I even made an unfinished attempt at a novel many years ago, but I did not finish it. I didn’t commit the time, the plot began to flounder, and I put it aside.

Then comes the inevitable third question “So have you written a book yet, are you published?” Even though I have been published, I had to learn that being published, the frequency of it or the recognition it can bring, cannot be my sole reason for writing. If I have labored over a work, then it is often my intent to send it out, to share it with others. But first, I had to get over imagining the book cover, the catchy title, book tours and readings. I was left with only one course of action – I had to sit down and put the words on paper. All of those imaginings are great for inspiration and ideation, but until I place the words on the page, wrestle, tease or play with them until they are properly positioned, it’s all make-believe.

Writing forces me to deal with my desire for perfection. Every time I sit down at my desk to begin a new piece, I wonder how it is going to turn out, or if it will be any good. At first. But the best part of writing is that I give myself permission to just let the words come, whether they are in a rush so swift I cannot contain them, or if they come as a measly drip, drip, drip, one tentative word at a time. When I finish the day’s writing, I always am slightly amazed at myself, not because the writing is so incredible, because it is not most of the time, certainly not right away. I am amazed because I sat down with the intention to write and I did it. I kept a commitment to myself, using a gift that I let languish for years because I was busy doing other stuff. I used to want to be like those people who discovered their vocation early in life, wishing that I had started sooner on this writing life. I have made peace with that dream, because I have lived long enough to have rich and varied experiences, and enough years have passed that I have perspective and insight about what I have gone through.

I believe that everyone is an artist of some sort. Creativity has to be nurtured, but it must also be explored. This exploration takes place when we become more aware of the diversity of thought, experience, style, and culture around us. Without this awareness of different perspectives, an adult tells a child that her picture “doesn’t look quite right,” and believes it. A writer tells a story, and because it is so foreign to your worldview, you dismiss it, instead of looking for the kernel of truth or insight, or even humor, that might be present.

I am partial to the written word, but I also have explored sewing, pottery, singing, dancing, and improving my French and Spanish. I go to hear other authors read, visit museums, poke around in small shops, searching for other ways to look at and feel the world. We are all artists of some sort, and to the question, “How do I get paid for it?” my advice is not to wait to figure out how to make money at it, at least not right away. Practice, explore, get better, and then consider if this craft is something you love enough to pursue whether it feeds you or not. I think you will be enriched by the experience of exploring your creativity, whether it becomes your livelihood or not.